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This was the tenth year of Britain’s Got Talent and the search is still on for a Paul Potts, a Subo or an Ashley Banjo and Diversity.

Wobbly voiced Kath Jenkins got proceedings underway, singing in the judges with the colonial soundtrack of Land of Hope and Glory and Rule Britannia. I was uncertain for a minute if I was watching Britain’s Got Talent or Britain’s Got A History of Mercantilism and Slavery. It set the tone for a seemingly subversive political Pro-Brexit finale.
Continue reading “Britain’s Got Talent: It was all a bit nice, but it’s a no from me.” →