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Louis Theroux: Dark States, Heroin Town

Today I learned that America’s opiate abuse problem is, to all intents and purposes, sponsored by the major pharmaceutical companies, who are also substantial donors to presidential campaigns of both colours.

I wish I’d gone with my first instinct and watched Susan Calman on Strictly instead.

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Cleverman: We’re never as clever as we think

The beauty of Cleverman is in it’s simplicity.

Rich v poor

White v black

Indigenous v migrants

Fight v flight

Brother v brother

And that’s where the creators of this show got it spot on because at the centre of the show is something we all relate to; family (Peggy Mitchell voice). Whether you had any or not, it shapes all of us. And that basis is what shines through every one of these characters.

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Fleabag: Disgustingly dirty and cleverly caustic  

This brilliant new comedy started life as a successful Edinburgh Fringe show. 

The titular Fleabag (we never learn her real name, but we do learn EVERYTHING else about her) is a woman of around thirty or so, trying to manoeuvre her way through life with a failing cafe, a big sister who is her polar opposite, a distant father, a discreetly nasty step mother, and the recent death of her best friend and business partner.

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Stranger Things: It’s Good, But It’s Not Right

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Oh, Stranger Things. I wanted to love you with all my heart and soul. My friends kept telling me in hushed tones about a show so evocative and unashamed in its expressions of love for the eighties that I felt you were almost made with me in mind. I caught glimpses of your BMX, your bad bowl cut, your D&D obsession, your dark streets and subtle manipulation of my childhood fears and something deep within me stirred.

When you proffered your mixtape with the handwritten liner notes and cracked case, I was helpless to resist.

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Mr Robot: Deep web

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Just because you’re paranoid doesn’t mean they’re not after you.

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